Shipwreck is a long-term project that reflects on ecological disaster, consumer culture, and the seductive aesthetics of waste. The project draws inspiration from real-life ecological incidents —such as the 1992 storm that caused a cargo ship to spill thousands of plastic toys into the Pacific Ocean, or the countless Kinder egg capsules that washed ashore on the island of Langeoog in the North Sea.
Through installations, videos, photographs, and participatory actions, Rey reimagines these incidents as contemporary fables where the natural and the artificial, the real and the fake, merge into a single landscape. Plastic ducks, pink sand, or scattered bottles appear as poetic fragments of a world adrift —beautiful, absurd, and tragic at once.
Shipwreck blurs the boundary between art, activism, and ritual. It stages a tension between creation and pollution, between the desire to play and the responsibility to care..



Installation with bathtub and rubber ducks
100 x 45 x 110 cm

Installation with bathtub and rubber ducks
100 x 45 x 110 cm

Installation with bathtub and rubber ducks
100 x 45 x 110 cm


Shipwreck II, 2017
Installation with 3 metallic sandboxes, dyed sand and eggs




Shipwreck III Action and photographic series







The Dolphin of Hoedic, Print on vinyl and pins, 63 x 83 cm, 2020

Cabezo de la Cobertera, Print on vinyl and pins, 63 x 83 cm, 2019

Donnant II, Print on vinyl and pins, Detail






Camera and editing Josechu Tercero
Single-channel video MP4, 3840 x 2160 px, 8min07, 2019
Camera and editing Josechu Tercero
Single-channel video MP4, 3840 x 2160 px, 3min21, 2019
Camera and editing Josechu Tercero
Single-channel video MP4, 3840 x 2160 px, 6min03, 2019
Camera and editing Josechu Tercero
Single-channel video MP4, 3840 x 2160 px, 3min56, 2021